Monday, November 30, 2009

16. 11/29/09 Graceling by Kristin Cashore (471 pages)

Katie H made Anna read this book, who then made me read it. I'm very pleased to have been caught in that particular chain of peer pressure, because if this isn't one of the best written novels I've come across, it is one of the most satisfyingly feminist. Its the story (of the fantasy persuasion) of a girl who is born with a startling and unique ability to kill. Over the course of the book she learns to control her temper and herself, and then moves on to bigger life lessosns about having relationships with others without losing her freedom, and taking action to make the world a better place. Its a feminist story from the get-go, but it never feels like its pushing a feminist agenda. Katsa makes it clear that all she really wants is to be in control of herself and her life and so she determines never to marry. When she does fall in love, its with another great fighter who understands what she's feeling, and is more than willing to be together in an unconventional way (all the while admitting, without shame, that Katsa can kick his ass any day of the week). Best of all, Katsa never feels badly about any of it because she's a GIRL. She has difficulties and trials, but its all related to her abilities and her relationships, not her sex. Its just so rare to see a fatasy novel with likeable women, let alone truly empowered ones. Finally, a fantasy heroine who's goals have nothing to do with getting married or keeping house. (Not that there aren't any others, just that they are depressingly rare...)

15. 11/26/09 Dead and Gone by Charlaine Harris (312 pages)

Sookie Stackhouse's novels are getting more intense, and increasingly gruesome. The story starts with shapeshifters coming out (yay!), but is quickly followed by the crucifixion of a werepanther (yuck). By the time the mystery is solved and the installment is over, Sookie has been tortured, a werefriend is dead, and Vampire Bill seems to be back in Sookie's good books, dang it. Its hard to maintain a sense of lighthearted fun, though, when fairly major characters keep on turning up nastily dead and the heroine gets cut up by psychotic, sadomastochistic fairies. Not even kidding. On the upside, Sookie hops back in bed with Eric, which is delightful.

14. 11/26/09 The Sandman vol. 6- Fables and Reflections by Neil Gaiman (255 pages)

Have I mentioned that I really love Neil Gaiman? And that I REALLY love Sandman? It reminds me of how I used to love Hercules the Legendary Journeys when the gods would appear and get involved, only Sandman is actually quality literature. I really like this volume because it has the story of Orpheus (which is somehow enhanced, for me, by Morpheus's peripheral involvement), and also has clues in all of the stories pointing towards how the entire series will end. In hindsight, there's a very beginning-of-the-end feel to this one, which is unsettling, but its Dream's relationship with his son that I find most compelling. Yeah, the whole thing with Eurydice was sad, but talk about daddy issues...

Tuesday, November 24, 2009

13. 11/24/09 From Dead to Worse by Charlaine Harris (359 pages)

I'm really starting to enjoy the way both Charlaine Harris and Sookie Stackhouse drop men like hot potatoes. I know they all continue to hang around because Sookie's so awesome, but still, in most books the author is reluctant to move from relationship to relationship so quickly. Its refreshing. Its a little more realistic, that Sookie takes other peoples baggage and actions into account. There was a little too much going on in this installment, what with were wars, vampire hostile takeovers, Jason's marriage hitting the rocks, Amelia getting caught on the whole Bob thing, but (although he was a nice guy) I was glad to see the back of Quinn. A weretiger? Really? Come on! There's gotta be a line somewhere. That being said, Sam turning into a lion was pretty excellent. Oh, and the twist at the end was intriguing.

Sunday, November 22, 2009

12.11/22/09 The Magicians by Lev Grossman (402 pages)

I loved this book. It was sad, and dark, and it bitchslapped Narnia. Finally real, unhappy people ended up as the heroes in a fantasy story. None of their problems were solved by magic. College had drinking and sex and foolishness. There were lots of hurt feelings, and death came without any sense of fairness. Nothing was resolved neatly. All questions were answered, but there wasn't really any closure. And the climax of the story was chilling and a half. I made lots of gasping and squeaking noises while I was reading the last few chapters, and Sadie got to have a good laugh at my expense. But seriousy? HE BIT OFF SOMEONE'S HANDS!! And you probably won't be able to figure out who he is. I couldn't.

11. 11/20/09 New Moon by Stephenie Meyer (563 pages)

Yep. Still Emo.

10. 11/14/09 Twilight by Stephenie Meyer (498 pages)

I've read this book several times. Its not particularly well written. Its a feminist nightmare (although Twlight itself isn't the real problem there. Its New Moon and, most of all, Eclipse that are the culprits). All that being said, I still love it. And I do like that Bella wants to be a vampire so that she and Edward can be equals. She's not a total moron, just masochistic apparently. I also appreciate that she refuses to believe in the whole vampires are damned thing. It strikes me as a breath of fresh air that the heroine isn't tortured...at least about that. What can I say? I like vampires, and my review of Twilight has always been that its weirdly compelling, despite my philosophical problems with it. I offer no excuses, just the facts.